M6.1 DIII: Off Season – Cyprus


Public Work
8-21 October 2007
Northern and Southern Cyprus

The Manifesta 6 that faltered out of political reasons (see page 36), was to take place in Cyprus on both sides of the line dividing the country since the war of 1974.
For the second project of the M6DIII network, some of us followed an invitation of Cypriot artist associations. A group of self-organised international artists, we conducted a mini-version of the ‘school- as-art’ planned by the original Manifesta curators.

As such we achieved something the large institutions of Manifesta Foundation and Nicosia For Art were unable to, partly because of their political restrictions like the economic embargo on the north – to which solely diplomatic personnel and cultural agents like us are not bound.
During our ten-day residency on the island we visited the ‘Greek’ South- and ‘Turkish’ Northern Cyprus, as well as the UN-controlled Green Line buffer zone. We interviewed local cultural producers of both Greek- and Turkish- Cypriot cultures, researched archives and visited cultural heritage sites.
As one of the first civilian delegations ever we were given access to the UN Green Line buffer zone and talked to NATO representatives working on the longest standing mission, apart from India/Pakistan, in the history of the UN.
We documented our findings in photos and text for a possible book publication. On two occasions we organised public events, in both sectors, with artists from both sides – some of which crossed the Green Line for the first time in their lives to attend.

Project Description:

As part of a network of 13 artists from across Europe, we have undergone an artistic research trip throughout Cyprus (Oct. 8-21, 2007).

The project was initiated to garner direct contact and experience the particular conditions within the two sectors of Cyprus; to permit participants the opportunity of travel and residing there in order to elaborate ideas for contributions for our collective work – a publication. Using the rough structure of an off-season tour guide, we established a non-filtered, individual and direct approach to the local context, which was essential in conserving a personal approach and direction to and through the context itself. This aspect of production is a key element of the product conception, not to create a uniform voice from the group, but to report diversities and multi-logues among a number of individuals within the same productive structures. Being as this one of the characteristics of the network we decided to involve for this project, we see this as necessary also relating to the peculiar and delicate situation of cultural production in Cyprus.

The project can be summarized as a mini-residence, with personal engagements and collective re-gatherings throughout the development of the work. Of course, to encourage and realize a proper encounter with the local community, we also held a series of public and private meetings with artists, professors, UN diplomats, the major art organizations in Cyprus, EMAA and EKATE, which are briefly listed as follows, as well as the duration of the project and its venues.

The participants arrived on October, 8th and stayed for 15 days until October, 21st. They have been accommodated in Lapta Youth Center. The scheduled part of the project included:

A public meeting in Nicosia with EKATE artists and representatives (October 13th)

a public meeting in Lefkosa with EMAA artists and representatives (October 15th)

a meeting with Professor Niyazi Kizilyürek, Associate professor for Middle Eastern and Turkish Studies, University of Cyprus.

a public meeting with press and people in the Union of Chambers of Turkish-Cypriot Architects & Engineers, Lefkosa.

Various travel and site excursions (Paphos, Famagusta, Nicosia, Kerenia, etc)

Given the fact that this project is relevant to the Cyprus situation, within which culture can set bridges for inter-communal dialogue without deeply politicized implications, it is important also to note that a confrontation between Cyprus art community and international professionals is not often developed on local basis, so also the fact of having a group of young international cultural producers to come in contact with Cypriot art institutions and structures gives an absolute importance to the present project. After the Manifesta 6 failure in 2006, which brought to the stage the difficulties of establishing cultural bridges between the south and the north side of the country, this project brings a new perspective on organization and productive developments to our context.

M6DIII: Abschlussball – Berlin


May 28 – June 1, 2007
WestGermany Berlin, Germany

October 2008
IDEA arts+society No. 28
Bucharest, Romania

The Manifesta is an itinerant European biennial for contemporary art. The 2007 Edition was to take place in Nicosia, Cyprus, in the shape of a ‘school-as-art’, but was cancelled for political reasons, citing contractual grounds. In response this, the artists selected for the ‘Department III’ of the planned Manifesta 6 instituted the independent network M6DIII. Curators Patricia Reed and Société Realiste contacted the supposed participants and we convened – some of us in person and others vir- tually – from 28-31 May 2007 at the WestGermany gallery in Berlin. Working on the issue of the contract with its difficulty of convey- ing multiple meanings and in line with the theme of the ‘school’, we collaborated on a text-based artwork in the form of a contract and organised a public presentation under the title ‘Abschlussball’ (German for High-School Ball).

The diverse colours represent each the voice of an author and signatory of the contract – which came into force and stayed valid for the duration of its public presentation on the 1st of June 2007. The ‘Abschlussball / Contract of Discord’ was the first project of the M6DIII zombie network – so called because it was born out of the death of another, failed project.

The final work was presented at the ‘Abschlussball’ at WestGermany gallery, Berlin, and published as an inset in the magazine IDEA arts+society No. 28.

Press Release:

Manifesta 6, Department 3: Abschlussball is an independent, collaborative, self-organised initiative from more than 20 of the selected students from Dept III of the “failed” Manifesta 6 school-as-biennale project (*This project is not affiliated with the International Foundation Manifesta and its respective curators).  We use the term “failed” purposefully in quotations. The mishap of the project has transformed it unforeseeable directions – becoming the first purely textual biennial.  Since the inception of the project until now it has manifest itself exclusively through a collection of texts (applications, press articles, curatorial statements, legal documents, publications, emails, etc).  This transformation has re-positioned the intentions, but has unwillingly produced the most trans-disciplinary biennial of its’ kind, involving, but not excluded to the juridical, political, diplomatic, intellectual, media, economic and aesthetic spheres.

From this perspective the “still-born” network of Dept III participants, is seeking to reanimate itself into a “zombie network” as a collective, productive machine.  The collaborative efforts are focused on a co-authored “confetti contract” – a text built in intervals between all participants of fragments, statements, digressions, interactions, re-writings, definitions and discords that take place amongst such a large group.

Currently participants are working remotely, yet many will convene for four days of contract deliberations face to face, at which time a final 1-day contract will be signed.  On June 1st the contract signing will be celebrated with an “abschlussball” (end of school-year celebration).

The collective contract negotiation will initially focus on the following issues: the distinctions between “symbiotic / parasitic projects” vs “tumorous structures”; the ergonomics of a zombie network; the carnival as collaborative form and contracts of discord.  From these points several digressions will take place through the interventions of group members, and subsequently interventions upon interventions.

The exponential nature of this multi-authored project mobilizes the abundance and multiplicity inherent to our estranged network towards a collective (albeit non-consensus forming) production – all the while constructing a temporary, agora-esque infrastructure for “play” as a dynamic group.

The network has been exhumed.


Project website: http://www.abschlussball.net/