Systems Art at Whitechapel Gallery – London

27 October 2007 presenting with Critical Practice / Mary Anne Francis
at Systems Art
Whitechapel Gallery

Systems: Art and Collaboration

Mary Anne Francis:
I am working with colleagues in the research cluster Critical Practice Chelsea.

For some while, I’d been pondering the idea of not simply talking about the triangulation of “Systems: Art and Collaboration” – especially as that relates to art-theory, but also attempting to instantiate it. Hence, having drawn up some lines of engagement and formulated some questions they generate, I’ve opened up the debate to Critical Practice – both with capitals and lower case – the one, I hope, implying the other.

Our contribution takes the form of a mini (30 min) Critical Practice meeting – specially convened to discuss what we would like to offer for the symposium around the title ‘Systems: Art and Collaboration’. We will both mull and maul the concept of ‘system’ and demonstrate our commitment to organisational systems in our conduct of the meeting.

The Working Group members for the Critical Practice “meeting event” are: Robin Bhattacharya, Neil Cummings, Ian Drysdale (minutes), Mary Anne Francis, Trevor Giles, Al Page, Tom Trevatt, and Manuela Zechner

With thanks to Wayne Clements, Cinzia Cremona, Rob Dingle, and Neal White for help along the way.

presentation: Saturday, 1pm

Read the questions for the debate here
Read Critical Practice’s evolving debate here
Join the debate here

M6.1 DIII: Off Season – Cyprus


Public Work
8-21 October 2007
Northern and Southern Cyprus

The Manifesta 6 that faltered out of political reasons (see page 36), was to take place in Cyprus on both sides of the line dividing the country since the war of 1974.
For the second project of the M6DIII network, some of us followed an invitation of Cypriot artist associations. A group of self-organised international artists, we conducted a mini-version of the ‘school- as-art’ planned by the original Manifesta curators.

As such we achieved something the large institutions of Manifesta Foundation and Nicosia For Art were unable to, partly because of their political restrictions like the economic embargo on the north – to which solely diplomatic personnel and cultural agents like us are not bound.
During our ten-day residency on the island we visited the ‘Greek’ South- and ‘Turkish’ Northern Cyprus, as well as the UN-controlled Green Line buffer zone. We interviewed local cultural producers of both Greek- and Turkish- Cypriot cultures, researched archives and visited cultural heritage sites.
As one of the first civilian delegations ever we were given access to the UN Green Line buffer zone and talked to NATO representatives working on the longest standing mission, apart from India/Pakistan, in the history of the UN.
We documented our findings in photos and text for a possible book publication. On two occasions we organised public events, in both sectors, with artists from both sides – some of which crossed the Green Line for the first time in their lives to attend.

Project Description:

As part of a network of 13 artists from across Europe, we have undergone an artistic research trip throughout Cyprus (Oct. 8-21, 2007).

The project was initiated to garner direct contact and experience the particular conditions within the two sectors of Cyprus; to permit participants the opportunity of travel and residing there in order to elaborate ideas for contributions for our collective work – a publication. Using the rough structure of an off-season tour guide, we established a non-filtered, individual and direct approach to the local context, which was essential in conserving a personal approach and direction to and through the context itself. This aspect of production is a key element of the product conception, not to create a uniform voice from the group, but to report diversities and multi-logues among a number of individuals within the same productive structures. Being as this one of the characteristics of the network we decided to involve for this project, we see this as necessary also relating to the peculiar and delicate situation of cultural production in Cyprus.

The project can be summarized as a mini-residence, with personal engagements and collective re-gatherings throughout the development of the work. Of course, to encourage and realize a proper encounter with the local community, we also held a series of public and private meetings with artists, professors, UN diplomats, the major art organizations in Cyprus, EMAA and EKATE, which are briefly listed as follows, as well as the duration of the project and its venues.

The participants arrived on October, 8th and stayed for 15 days until October, 21st. They have been accommodated in Lapta Youth Center. The scheduled part of the project included:

A public meeting in Nicosia with EKATE artists and representatives (October 13th)

a public meeting in Lefkosa with EMAA artists and representatives (October 15th)

a meeting with Professor Niyazi Kizilyürek, Associate professor for Middle Eastern and Turkish Studies, University of Cyprus.

a public meeting with press and people in the Union of Chambers of Turkish-Cypriot Architects & Engineers, Lefkosa.

Various travel and site excursions (Paphos, Famagusta, Nicosia, Kerenia, etc)

Given the fact that this project is relevant to the Cyprus situation, within which culture can set bridges for inter-communal dialogue without deeply politicized implications, it is important also to note that a confrontation between Cyprus art community and international professionals is not often developed on local basis, so also the fact of having a group of young international cultural producers to come in contact with Cypriot art institutions and structures gives an absolute importance to the present project. After the Manifesta 6 failure in 2006, which brought to the stage the difficulties of establishing cultural bridges between the south and the north side of the country, this project brings a new perspective on organization and productive developments to our context.


organising collide/COLLABO series of events, Chelsea College of Art and Design, London

25th-29th June 2006

Welcome to five days of very diverse events at Chelsea College of Art and Design! We have collaborated to present a programme of talks, discussions, workshops and screenings that aim to bridge art and activism and create a critical environment by engaging with many issues throughout. We invite you to attend, participate and critically collaborate with us to help make this an exciting and meaningful week.


Art is not just material that can be bought and sold like any product on the market. In a collaborative project, we aim to move towards making proposals and alternative suggestions as to possible roles of art in society, to build bridges between art and activism and engage in critique.

We are hosting five days of events, discussions, workshops, screenings etc. as part of our degree show at Chelsea College of Art. We invite you to attend, participate and critically collaborate.

Programme of all events: A3 Flyer collide/collabo programme of events

Video sample from one of the events:

Revolution vs The Movement vs The Network?

that took place:
Monday 26th June, 16.00- 18.00h

Chelsea College of Art and Design