Black Sheep Days – ZürichBlack Sheep Days – Zürich

Public Work
October 4-21, 2007
Zürich, Switzerland

Collaboration with Viviane Mörmann

In the run-up to the Swiss national elections 2007, the Swiss People’s Party launched a billboard campaign for their ‘initiative for the expulsion of criminal foreigners’. In reaction to the campaign with its racist imagery, together with the artist Viviane Mörmann I initiated the interactive public work Black Sheep Days.


Starting point of the Black Sheep Days – The ad for the Swiss People’s Party’s “Volksinitiative für die Ausschaffung krimineller Ausländer (“initiative for the expulsion of criminal foreigners”)

We printed the image of the rejected black sheep unto t-shirts, which were sold in public places in the inner city of Zürich. Thus we gave the buyers the ability, to visually assert support for the victims of the racism of the Swiss People’s Party’s campaign and show a sign of defiance towards such alienating tactics.

The Project found great appeal in Zürich and within few days thousands o t-shirts were sold, so that the sale was extended until the Swiss national elections. The profit from the project went to potential black sheep, namely a foreign-language children’s library in the city of Zürich.

Press Release: Black Sheep Days
Organisation We are independent cultural producers and volunteers who are not affiliated with any party or organisation.
Action We sell T-Shirts with a print of a black sheep from Thursday 10/04/07 until Satur- day 10/06/07, 13.00-17.00 hours. Locations: Bellevue, Paradeplatz, Pestallozzianlage. The price of the T-shirt is 20 Swiss Francs, the profit of which goes to KANZBI in Zürich, an intercultural library for immigrated children youths.
Execution Each buyer is photographed with his T-shirt and all photos are published on www.re- lease01.com From the photos a poster is made, which will be visible on the Internet and live in the KANZBI.
Idea In principle Switzerland is also a black sheep, not least because it falls out of line with its neutrality every once and again. For many countries Switzerland is an example. After Swiss advertising campaigns in connection with the elections have been labelled abroad as racist and xenophobic, we want to call on the Swiss popula- tion to show their colours and for once actively step out of line as a black sheep. Black Sheep Days is a spontaneous action, which seeks to support the integration of foreigners and give all the participants food for thought.
Culture Culture is older than language, visual communication is a powerful tool that has to be applied with caution. We question contemporary ad-campaigns and ask if we cannot associate the black sheep with a positive message. Are not the black sheep the most innovative of people?

The initiators Viviane Mörmann and Robin Bhattacharya are both cultural producers working with photo, video, performance, Internet.

Sales Announcement Flyer:

T-shirt buyers / Participants:

Press Coverage:

Öffentliche Arbeit
4-21. Oktober 2007
Zürich, Schweiz

Mit Viviane Mörmann

Im Vorfeld der Nationalratswahlen 2007 lancierte die SVP eine landesweite Plakatkampagne für die ‚Initiative zur Ausschaffung krimineller Ausländer’. Betroffen von dessen rassistischer Bild- sprache, entwarf ich zusammen mit Viviane Mörmann die interaktive öffentliche Arbeit Black Sheep Days.


Ausgangspunkt für die Black Sheep Days: Das Plakat der SVP-Initiative

Wir druckten das Sujet des verstossenen schwarzen Schafes auf T- Shirts, welche auf öffentlichen Plätzen in der Innenstadt Zürichs verkauft wurden. Damit gaben wir den Kunden/innen die Möglichkeit, sich visuell mit den Opfern des Rassismus der SVP Kampagne zu soli- darisieren und ein Zeichen gegen derartige Ausgrenzungsstrategien zu setzen.

Dies Stoss bei der Bevölkerung Zürichs auf grossen Anklang und es wurden innert weniger Tage tausender T-Shirts verkauft, so dass noch mehr gedruckt und der Verkauf bis zu Beginn der National- ratswahlen verlängert wurde.

Der Reinerlös aus der Aktion ging an potentielle schwarze Schafe, nämlich fremdsprachige Kinder in der Stadt Zürich.

Press Release: „Black Sheep Days“ 4-6 Oktober 2007 + 12-13 Oktober + 19-20 Oktober2007

Organisation Wir sind unabhängige Kunstschaffende und freiwillige Helfer, die nicht Partei- oder Organisationzugehörig sind.


Aktion Wir verkaufen T-Shirts mit einem schwarzem Schaf Aufdruck
vom Donnerstag den 4.10.07 bis zum Samstag den 6.10.07, jeweils
von 13-17Uhr. Standorte: Bellevue, Paradeplatz, Pestalozzianlage 
Der T-Shirt Preis beträgt 20Fr., der Gewinn geht an die KANZBI in
Zürich, eine interkulturelle Bibliothek für Ausländische Kinder und
Jugendliche.

Umsetzung Jeder Käufer wird mit seinem T-Shirt fotografiert, alle Fotos
werden auf www.release01.com veröffentlicht. Aus den Fotos wird ein
Poster gemacht, welches im Internet und in der KANZBI live zu sehen
sein wird.


Idee Eigentlich ist die Schweiz ja auch ein schwarzes Schaaf, nicht
zuletzt weil sie mit ihrer Neutralität immer wieder aus der Reihe
tanzt. Für viele Länder ist die Schweiz ein Vorbild. Nachdem Schweizer
Werbeinitiativen im Zusammenhang mit den Wahlen auch im Ausland zum
Teil als rassistisch und ausländerfeindlich bezeichnet wurden, wollten
wir die Bevölkerung dazu aufrufen Farbe zu bekennen und einmal aktiv
als schwarzes Schaf aus der Reihe zu tanzen. Black Sheep Days ist eine
spontane Aktion, welche die Integration von Ausländern unterstützen und
allen Beteiligten einen Denk-Anstoss verpassen will.


Kunst Kultur ist älter als Sprache. Visuelle Kommunikation ist ein
mächtiges Instrument, das mit Vorsicht zu gebrauchen ist. Wir
hinterfragen zeitgenössischen Werbekampagnen und fragen uns ob man das
schwarze Schaf auch mit einer positiven Botschaft assoziieren
kann. Sind nicht schwarze Schafe oft die innovativsten Seelen der
Bevölkerung?


Die Initianten Viviane Mörmann und Robin Bhattacharya sind beide
Kunstschaffende im Bereich Foto, Video, Performance, Internet. Das
künstlerische Produkt der „Black Sheep Days“ Aktion sind die T-Shirts,
die Fotos im Internet, das Schafherde-Poster und natürlich am aller
wichtigsten, die Interaktion mit der Bevölkerung.


Ankündigungs-Flyer


Kunden/innen, respektive partizipierende Bevölkerung Zürichs


Presse: Tages-Anzeiger vom 6. Oktober 2007

M6DIII: Abschlussball – BerlinM6DIII: Abschlussball – Berlin

With M6DIII

Abschlussball
May 28 – June 1, 2007
WestGermany Berlin, Germany

October 2008
IDEA arts+society No. 28
Bucharest, Romania

The Manifesta is an itinerant European biennial for contemporary art. The 2007 Edition was to take place in Nicosia, Cyprus, in the shape of a ‘school-as-art’, but was cancelled for political reasons, citing contractual grounds. In response this, the artists selected for the ‘Department III’ of the planned Manifesta 6 instituted the independent network M6DIII. Curators Patricia Reed and Société Realiste contacted the supposed participants and we convened – some of us in person and others vir- tually – from 28-31 May 2007 at the WestGermany gallery in Berlin. Working on the issue of the contract with its difficulty of convey- ing multiple meanings and in line with the theme of the ‘school’, we collaborated on a text-based artwork in the form of a contract and organised a public presentation under the title ‘Abschlussball’ (German for High-School Ball).

The diverse colours represent each the voice of an author and signatory of the contract – which came into force and stayed valid for the duration of its public presentation on the 1st of June 2007. The ‘Abschlussball / Contract of Discord’ was the first project of the M6DIII zombie network – so called because it was born out of the death of another, failed project.

The final work was presented at the ‘Abschlussball’ at WestGermany gallery, Berlin, and published as an inset in the magazine IDEA arts+society No. 28.

Press Release:

Manifesta 6, Department 3: Abschlussball is an independent, collaborative, self-organised initiative from more than 20 of the selected students from Dept III of the “failed” Manifesta 6 school-as-biennale project (*This project is not affiliated with the International Foundation Manifesta and its respective curators).  We use the term “failed” purposefully in quotations. The mishap of the project has transformed it unforeseeable directions – becoming the first purely textual biennial.  Since the inception of the project until now it has manifest itself exclusively through a collection of texts (applications, press articles, curatorial statements, legal documents, publications, emails, etc).  This transformation has re-positioned the intentions, but has unwillingly produced the most trans-disciplinary biennial of its’ kind, involving, but not excluded to the juridical, political, diplomatic, intellectual, media, economic and aesthetic spheres.

From this perspective the “still-born” network of Dept III participants, is seeking to reanimate itself into a “zombie network” as a collective, productive machine.  The collaborative efforts are focused on a co-authored “confetti contract” – a text built in intervals between all participants of fragments, statements, digressions, interactions, re-writings, definitions and discords that take place amongst such a large group.

Currently participants are working remotely, yet many will convene for four days of contract deliberations face to face, at which time a final 1-day contract will be signed.  On June 1st the contract signing will be celebrated with an “abschlussball” (end of school-year celebration).

The collective contract negotiation will initially focus on the following issues: the distinctions between “symbiotic / parasitic projects” vs “tumorous structures”; the ergonomics of a zombie network; the carnival as collaborative form and contracts of discord.  From these points several digressions will take place through the interventions of group members, and subsequently interventions upon interventions.

The exponential nature of this multi-authored project mobilizes the abundance and multiplicity inherent to our estranged network towards a collective (albeit non-consensus forming) production – all the while constructing a temporary, agora-esque infrastructure for “play” as a dynamic group.

The network has been exhumed.

contractlink_3

Project website: http://www.abschlussball.net/Mit M6, DIII

Abschlussball
28. Mai – 1. Juni 2007
WestGermany Berlin, Deutschland

Oktober 2008
IDEA arts+society No. 28
Bukarest, Rumänien

Das Netzwerk M6DIII ging hervor aus den in einem Wettbewerb aus- gewählten Künstlern für das „Departement III“ der 2007 in Zypern geplanten Europäischen Kunstbiennale Manifesta 6, als diese aus politisch-rechtlichen Gründen abgesagt wurde.
Patricia Reed und Société Realiste nahmen Kontakt auf mit den zu teilnehmenden KünstlerInnen und organisierten die „Vertragsver- handlungen“ vom 28.-31. Mai 2007 in Berlin, wo sich einige von uns persönlich und andere virtuell einfanden, um kollektiv ein Text-basiertes Kunstwerk zu erarbeiten. Die verschiedenen Farben repräsentieren je die Stimme eines Autors, einer Autorin und Unter- zeichnenden (Robin Bhattacharya:Azurblau) des Vertrags, welcher mit der Vernissage in Kraft trat und seine Gültigkeit für die eintägige öffentliche Präsentation am 1. Juni 2007 hatte.
Der „Abschlussball – Contract of Discord“ war das erste Projekt des M6DII ‚Zombie-Netzwerks’, so genannt weil es aus dem Tod eines an- deren, gescheiterten Projekts heraus entstand.

Der fertige Text wurde an der Ausstellung Abschlussball im der Galerie WestGermany, Berlin präsentiert und als Inset in IDEA arts+society No. 28, Rumänien, publiziert.

Press Release:

Manifesta 6, Department 3: Abschlussball is an independent, collaborative, self-organised initiative from more than 20 of the selected students from Dept III of the “failed” Manifesta 6 school-as-biennale project (*This project is not affiliated with the International Foundation Manifesta and its respective curators).  We use the term “failed” purposefully in quotations. The mishap of the project has transformed it unforeseeable directions – becoming the first purely textual biennial.  Since the inception of the project until now it has manifest itself exclusively through a collection of texts (applications, press articles, curatorial statements, legal documents, publications, emails, etc).  This transformation has re-positioned the intentions, but has unwillingly produced the most trans-disciplinary biennial of its’ kind, involving, but not excluded to the juridical, political, diplomatic, intellectual, media, economic and aesthetic spheres.

From this perspective the “still-born” network of Dept III participants, is seeking to reanimate itself into a “zombie network” as a collective, productive machine.  The collaborative efforts are focused on a co-authored “confetti contract” – a text built in intervals between all participants of fragments, statements, digressions, interactions, re-writings, definitions and discords that take place amongst such a large group.

Currently participants are working remotely, yet many will convene for four days of contract deliberations face to face, at which time a final 1-day contract will be signed.  On June 1st the contract signing will be celebrated with an “abschlussball” (end of school-year celebration).

The collective contract negotiation will initially focus on the following issues: the distinctions between “symbiotic / parasitic projects” vs “tumorous structures”; the ergonomics of a zombie network; the carnival as collaborative form and contracts of discord.  From these points several digressions will take place through the interventions of group members, and subsequently interventions upon interventions.

The exponential nature of this multi-authored project mobilizes the abundance and multiplicity inherent to our estranged network towards a collective (albeit non-consensus forming) production – all the while constructing a temporary, agora-esque infrastructure for “play” as a dynamic group.

The network has been exhumed.

contractlink_3

Project website: http://www.abschlussball.net/

collide/COLLABO

organising collide/COLLABO series of events, Chelsea College of Art and Design, London

25th-29th June 2006


Welcome to five days of very diverse events at Chelsea College of Art and Design! We have collaborated to present a programme of talks, discussions, workshops and screenings that aim to bridge art and activism and create a critical environment by engaging with many issues throughout. We invite you to attend, participate and critically collaborate with us to help make this an exciting and meaningful week.

____________________

Art is not just material that can be bought and sold like any product on the market. In a collaborative project, we aim to move towards making proposals and alternative suggestions as to possible roles of art in society, to build bridges between art and activism and engage in critique.

We are hosting five days of events, discussions, workshops, screenings etc. as part of our degree show at Chelsea College of Art. We invite you to attend, participate and critically collaborate.

Programme of all events: A3 Flyer collide/collabo programme of events

Video sample from one of the events:

Revolution vs The Movement vs The Network?

that took place:
Monday 26th June, 16.00- 18.00h

Chelsea College of Art and Design